Coding Faith:

Coding Faith:

Practising Generative Art to Represent the Act of Worship

Through the Islamic cultural practice of Tawaf

#في-حب-مكه

Huda Almazroua

ALM17532098

 Chelsea College of Arts

Supervisory Team:

Prof. Malcolm Quinn

Prof. Pratap Rughani

Content:

• Introduction:
• Introduction
• The History of Makkah: The Interfaith Dialogue Land
• The motion around a stable
• My positionality: I was born in Makkah.
• A critical thinking VS ingrained Faith
• Stories behind Stories
• Math & faith/ Faith & Art/ Art & Islam:

• Research question:
• Methodology:
• Theoretical Framework:
• Terminology:

• Contextual review:

This will include a comprehensive summary of previous artworks and research on:

• Chapter 1: Generative Art:
• The historical context of generative art:
• The Contemporary Context of Generative Art
• AI art
• Creative coding

• Chapter 2: Islamic Art:
• Islamic cultural art:
• Islamic art as a movement
• Contemporary Art of Islam

• Practice Review:
• Makkah, The City that Never Sleeps, In Images that Never Ends: The motion around a stable:
• Diversity and multicultural identity:
• The Cubic icon to the artists:
• Math and faith:

• Abstract:
• Research Plan: